Monday, November 9, 2009
Submission material
-PDF of booklet
-2 A1 panels
-40 slides in, for example, a powerpoint presentation.
-unlocked PDF format and in JPG format. There must be a separate file for each illustration.
-'tear sheet' of the project: a picture/an illustration of their proposals as well as a brief written description of the proposal. The picture/illustration must be submitted in two diff erent resolutions: JPEG with 72 dpi and a maximum of 300 x 300 pixels, and JPEG with the highest possible resolution. The text may not exceed 500 characters including spaces.
10 copies of printed booklet.
from the criteria:
8.1.2 Digital Material
Each entry should contain three [3] CD-R’s/DVD’s with
the following content:
Digital concept material
Digital material should include all the necessary information.
A description and a visualisation in sketch form and
3D renderings of the concept in relation to Chapter 4. The
description and visualisation must not exceed 40 slides
in, for example, a powerpoint presentation.
Digital illustrations, photos and drawings
• All illustrations and texts included in the entry
should be prepared for reproduction in the jury’s
report. Illustrations should be in an unlocked
PDF format and in JPG format. There must be a
separate file for each illustration.
• A PDF file with a description booklet.
• For web and exhibition use, entrants are requested
to submit a picture/an illustration of their
proposals as well as a brief written description
of the proposal. The picture/illustration must be
submitted in two diff erent resolutions: JPEG with
72 dpi and a maximum of 300 x 300 pixels, and
JPEG with the highest possible resolution. The
text may not exceed 500 characters including
spaces. Entrants are free to choose the illustration
they believe best presents their proposal
to the broad range of people who will visit the
website or possible exhibitions.
• A PDF file with the concept material in the form
of panels, in case of the material being exhibited.
The panel should be two A1 panels [594 x 841].
The material should be ready to print as panels.
• The CDs must be provided with the chosen fivedigit
identifi cation number.
8.1.3. Description Booklet
Ten copies of the entry in the form of A4 booklets
must be submitted. Each booklet must contain the
following:
• Illustrations and text provided in the concept.
• Maximum 15 pages.
• The fi ve-digit identifi cation number must be
written on the booklets.
Page 4 and Page 5
PAGE 4:
Isabella is on the train to København from Hamburg, and she recalls running into a fellow backpacker who informs her about København’s new bike share, Kø.
She decides to enable her wifi card on her laptop so she can check out the Kø bike share’s website. She remembers hearing how easy it was to use and a great way to get around the city.
The website’s main purpose is to generate membership with the Kø bike share program. The membership durations range from 24 hours to 12 months, purposely allowing for all types of users to gain access to the program. For instance, a tourist would likely sign up for a 7 day membership; while a commuter would may opt for a 30 day or 12 month membership. The 24 hour membership is intended for first time users who want to explore the system before committing, or for those who enjoy using the bike share but will do so infrequently. All membership fees will be determined in the future once a survey is conducted to find the appropriate price point.
The web-based membership sign-up will enable the city of København to keep track of how many users they have. This tracking system will allow the city to monitor the demand and need for more bicycles and necessary infrastructure. Another advantage to this system is to keep track of payment. When a user provides their credit card information for the initial membership fees, then they can be accountable [billed] for their use of the bike share when their trips exceed 30 minutes. This form of billing will be explained in more detail in the Terms and Agreements. Lastly, the web-based application will allow members to log-in when they want to re-new membership, and also review customized information, ie: their history of pick-up and drop-off locations to create a sense of ownership and an awareness of their interaction with the city.
Isabella is in København for 6 days, so she opts for the 7 day membership and pays by credit card.
[text on the page is not in line with the booklet template.]
Isabella and her friend check into their hotel, and then they venture out into the København to explore the city. They’ve decided to utilize the Kø bike share in order to get around the city. They specifically want to see Christiania.
At the Kø silo in the major square near Langebro, Isabella picks up her pre-paid Kø card.
When Isabella is at the Kø kiosk, she is prompted to swipe her credit card so that the machine can identify her pre-paid membership.
Then the interactive LCD screen informs her of the specifics of the Kø bike share program: First 30 minutes are free. Every time the bicycle is unlocked, the first free 30 minutes starts.
If she runs over the 30 minutes, then she will be incrementally charged 10 DKK, on her credit card. And as an incentive to promote membership with the Kø bike share program, Isabella receives an additional perk with her pre-paid Kø card; one example of this would be a coupon for a discount into the Tivoli Gardens or a discount at a local cafe.
Isabella’s friend pays by cash, including the low-fee deposit, in order to obtain a Kø card. We recommend the cash deposit to be in the amount of 250DKK. Another way to obtain the Kø card by paying with cash is at a local business partner that sells the card. The Kø card can be returned to any of the Kø silos or kiosks located at main transportation hubs throughout the city; ie: Central Station or the Airport.
The girls obtain their Kø bike share bicycles and head out to Christiania.
[collage subject to change when we have more finished renderings]
[text on the page is not in line with the booklet template.]
if you have any comments, please share. thanks!
**updates in bold
Sunday, November 8, 2009
BOOKLET [assignments] - DUE DATE TUES NOV 10
ALL CONTENT of your assigned pages is DUE TUESDAY NOVEMBER 10 at midnight.
Post your stuff on the blog and email the your final content to Philip so he can layout the booklet [high resolution jpegs, pdfs, ai files WITH THE LINKED FILES].
Title page [Darius] sexy rendering of logo and texture of silo.
PAGE 1 [Zack/Sherry]: Introduction to our bike share proposal. Overall explanation of the criteria: bike design, storage, booking access and payment, intro to our concept of presenting our proposal thru the narratives of the 3 personas. Mostly copy/text.
PAGE 2 [Zack/Erik]: Sexy and compelling image and/or a collage of supporting images from our proposal according to the criteria.
Tourist[s]:
PAGE 3 [Caitlin]: Tourist [Isabella] and her itinerary, with her symbol [backpack]. Biography given in the criteria.
Naples, Italy. She has just arrived at
Copenhagen Central Station on a train
from Hamburg. She is Interrailing around
Europe with her friend and it is her fi rst
visit to Copenhagen. As soon as the girls
have checked in at the hotel near Lange-
bro and deposited their bags in the room
they want to visit Christiania. Isabella is
158 cm tall and weighs 49 kg.
PAGE 5 [Emily]: Isabella and friend at silo. Friend is purchasing RFID card, paying by cash - and Isabella is picking up pre-booked RFID card. Since Isabella booked online, she receives an additional perk, a coupon for a discount into the Tivoli Gardens.
PAGE 6 [Erik]: Bollards placed on tourist's itinerary, explains first 30 minutes free.
Commuter:
PAGE 7 [Caitlin]: Commuter [John Madsen] and his itinerary, with his symbol [?]. Biography given in the criteria.
studio in Denmark’s second-largest city, Aarhus,
located 300 km from Copenhagen. John attends
meetings in Copenhagen several times a week.
He usually travels by train in business class from
Aarhus to Copenhagen and takes a taxi from the
Central Station to his end destination, which is
usually in the city centre. John enjoys taking the
train as he can work on the journey but he often
fi nds it irritating to have to sit in traffic in the taxi
on the short three kilometre journey from the
train station in Copenhagen. John is 190 cm tall
and weighs 93 kg.
PAGE 9 [Darius]: John arrives at the Central Station and checks out bike sizes and specs at a silo. Sexy rendering.
PAGE 10 [Erik]: More detail about the silo - show section and John's intrigue with the design, since he is an architect.
Copenhagener:
PAGE 11 [Caitlin]: Copenhagener [Harry] and his itinerary, with his symbol [?]. Biography given in the criteria.
neighbourhood. He rides his bicycle every day to his job,
where he works as a copywriter at an advertising bureau in the city
centre. He lives roughly three kilometres from work. Harry
chooses the bicycle because it is easy and quick. One mor-
ning Harry comes out of his fl at to discover that his bicy-
cle is stolen. It’ll take a week or so for him to get money
from his insurance company and to buy a new bicycle. It is
especially irritating for Harry today, as he has four meetings
around town. Harry is 175 cm tall and weighs 75 kg.
PAGE 13 [Philip]: Harry uses his smartphone to book a bicycle at a bollard near his apartment. Shows access via smart phone.
PAGE 14 [Darius]: Harry has 4 meetings around town. Show his itinerary and his use of the bollard system and silo. Also, show that he uses a cargo bike at the end of his work day to go grocery shopping.
PAGE 15 [Zack/Sherry]: Conclusion. Explain/reiterate how our proposal is visible, user friendly and interacts with the city [criterion 3 and 4]. Touch on how the bike share program can continue to exist thru making profit thru marketing. Works cited/bibliography/credits. etc
BACK PAGE
Friday, November 6, 2009
http://bits.blogs.nytimes.com/2009/11/06/adding-a-sixth-sense-to-your-cellphone/?hp
XICUI Entertainment Center
Beijing, China
http://www.sgp-architects.com/
FROM MY COMMENT IN REGARDS TO THE LAST POST:
also, what about embedding the lighting within some of the hexagons [in addition to the rings of light within the skin]? - like each hexagon could be thought of like a pixel. we could project images and possibly advertisements along the skin of the silos. and these pixel hexagon lights could also reflect the storage capacity in their intensity. [see the next post for reference images]



In the latest interation, the envelope gradates (gradates is not a real word, but you get my point) from top to bottom, the top being more solid and the bottom more porous. I am also playing with lighting based on the color palette we've chosen. The last image is from a previous rendering, however, it illustrates the configuration of the site with multiple silos.
